ENTHASIS

This body of work reimagines Michel Foucault’s heterotopic spaces, creating instead ‘heterotopic objects’, objects that exist in a state of contradiction, that act as an interruption between representation and objective truth. Through a process of manipulation and re-appropriation the aim is to undermine our historical and emotional connection to the pristine white marble column. 

We live in a post-truth world where objective facts are less influential in shaping public opinion than appeals to emotion and personal belief, where the mechanisms of power and control are obscured. By manipulating processes to disrupt familiar imagery I reveal these institutional mechanisms.